To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to upgrade your browser.By using our site, you agree to our collection of information through the use of cookies.Even if you dont intend to animate, youll get more valuable drawing wisdom from these cartoon books than from a hundred college textbooks that neglect the core method of illusionary drawing.
Draw By Scott Robertson And Thomas Bertling To Excel Upgrade Your BrowserThat makes sense. When you can draw the human figure in 3D space you can draw just about anything in 3D space. But this section focuses on all-around draftsmanship, so heres where youll find my reviews of perspective books as well. Im reading a bunch of recent releases, some of which are impressive. But Ive listed everything you need to master old-school drawing. Scott and Thomas explain basic facts about perspective, then build from basic facts into the most complex drawings imaginable. Its centuries-old knowledge, its reasonably clear, and its worth twenty times the price. The reward is that youll learn all the mysteries of classic draftsmanship in months rather than decades. I understood it the first time, and I still benefited from it the seventh. A solid ten. 100 master drawings analyzed simply, clearly and with deep insight from a man who understood classic draftsmanship as thoroughly as anyone in the 20th century, and who taught it as well as anyone in any century. Unfortunately, the sequel called Anatomy Lessons from the Great Masters doesnt compare it has great pictures but the text is lifeless reportage Hale didnt write it even though they used his name. It was taken from Hales lectures at the Art Students League and has errors in it because the transcriber didnt understand the material. Look at the pictures and youll learn how to use form in drawing the figure. The anatomy is stylized to the point of looking artificial more like plastic action figures than real humans but it is strong on showing how classic draftsmanship can be creatively applied to the human body. Nicolaides was concerned primarily with the guts of art keeping artists attention on the feelings that prompt the drawing. His exercises are the best I know for developing the sensitivity of an artist, but they are inefficient for learning to master form in space. Nicolaides taught at the Art Students League in New York at the same time as Bridgman, and he deferred to Bridgmans teaching as a resource for applying perspective to anatomy. I use Nicolaides material when teaching Life Drawing, but not when emphasizing anatomy or form. If you want to draw in the classic sense of that word, eventually you have to confront this fundamental discipline that is so difficult. ![]() The two books Perspective Drawing Handbook by Joseph DAmelio, and Creative Perspective by Ernest Watson are the best I know. Watsons is advanced and more demanding, but he shows you everything you need to know to draw anything for the rest of your life. Constructive Anatomy and The Human Machine are good to start with because they are fairly clear. The Complete Guide to Drawing from Life is a compilation that gives you the best of the smaller books. Ive learned as much about how to draw the structure of the head from Bridgman as I have from any other source.
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