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The new workflow, empowered by the latest tools from Axon democratize the process by reducing costs, simplifying work flows, and making the technology available to agencies big and small, in larger quantities than ever before possible. What happens to “the expert,” when he/she retires? What happens if he/she isn’t available? The agency’s ability to process this type of evidence ends abruptly. The work is no longer about personalities and story tellers, it’s about the evidence and the science. It already fulfills Taser CEO, Rick Smith’s goal to reduce police paperwork by 80% in the next 10 years. It gives the user the opportunity to go into the court room with confidence, focusing on the process and the evidence and not on an “expert’s” ability to spin what was done to the evidence. The built-in reporting feature is second to none. Axon Five, on the other hand, is rooted in peer-reviewed published science. If there were questions about what you were doing, you’d tell a story around your work (you still have to if you’re using these tools). You see, the old work flow wasn’t based in science – it was firmly rooted in demonstrative, artistic tools. This democratizes forensic science in a way that no tool set has done.
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This gives the small agency an opportunity to bring forensic science in-house. It certainly couldn’t lose the staff to long hours spent rendering effects.Īxon Five is a fraction of the price of my original set-up. A small agency couldn’t afford the start-up costs without a grant. It could afford to dedicate a few employees to these tasks. My large agency could afford the cost of equipment and training. Given this model, the small agency was at a disadvantage. Demuxing an 8 hour tape and cleaning up the views could take weeks.
![amped five demultiplexer amped five demultiplexer](https://spreadys.files.wordpress.com/2014/09/full-demux.png)
The work was less than real time in terms of processing footage for court. It took ages to boot, and even longer to render projects. It was loud given the fans needed to keep this “super computer” cool. The basic set-up was about $30k for one workstation. I’ve written before about how far we’ve come, but today I want to focus a bit more on what that means for the small law enforcement agency.ġ5 years ago, I was running Media Composer in a dedicated, purpose built computer with additional analog capture hardware. Back to tape? What if they don’t have a DVD player in the computer? Then there was the problem of sharing our work product.
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These agencies did their best to help, but there’s only so much time in the day for pro-bono work.Ī decade and a half ago, there were CDs / DVDs / Zip / Jaz / Floppy Disks / VHS / … There were so many varying types of physical media evidence types to manage. Many skipped it altogether, opting for sending their evidence to other labs at places like the FBI, the Aerospace Corporation, or even Target. The entry price point for agencies wanting to get into forensic analysis of audio / video was quite steep. Being from the western US, training was distant. Whilst I was thankful that there was equipment and training available, the equipment was expensive, cumbersome, and quite loud. I made the calls and received the quotes. Over a decade and a half ago, I made my first enquiries as to how my agency was going to engage in forensic video/image/audio analysis. In demonstrating the Axon Forensic Suite tools at the booth, I got to thinking how far we’ve come as an industry. I’ve spent the last few days processing the events, the conversations, the many questions, and the amazing people that came to Taser’s booth to see an incredible product line from a dynamic and forward thinking company. We also have an infographic here detailing the basics of Photoshop masking.The 2016 IACP Conference is over. Learn how easy it is to extract your images from their backgrounds and add them to our templates in this video tutorial.
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